The Pre-Raphaelites are everywhere at the moment – on hoardings, on TV, in books and magazines, it seems as though we have revived our love affair with the decadent colours and lush imagery of the Victorian painters – and even those who hate them (and there are plenty who do) still seem to find them interesting. If you are a fan, you may be a member of the Pre-Raphaelite Society, which is celebrating 25 years of existence this year. The Society aims to promote the study of and interest in Pre-Raphaelitism, and is an international society with members all over the world. It’s open to everyone – there are members who are just interested, to serious collectors and academics, so the aim is to cater for everyone. The society holds a series of lectures in Birmingham (details of which are here) as well as trips to places or exhibitions of Pre-Raphaelite interest.
In 25 years, the society has changed a great deal in some ways – such as the style and content of the journal, the Review – and not at all in others. The ‘mission statement’ of the society is its guiding principal:
The Pre-Raphaelite Society is dedicated to the celebration of the mood and style of art which Ruskin recognised and preserved by his writings, and to the observation of its wide-ranging influence. In co-operation with societies of similar aims world-wide, it seeks to commemorate Pre-Raphaelite ideals by means of meetings, conferences, discussions, publications and correspondence, and to draw attention to significant scholastic work in this field. First and foremost, however, it is a society in which individuals can come together to enjoy the images and explore the personalities of the Pre-Raphaelites and their followers through the medium of fine art, the appreciation of good design and the excellence of the traditional arts.
I joined the society in 1998, as a postgraduate student writing on The Germ, the Pre-Raphaelite magazine, and in 2004 I took over as editor of The Review, which I (mostly) very much enjoy. I find it fascinating to see ways in which modern scholars are reinterpreting works which were out of favour for much of the twentieth century, and, from the rehabilitation of Millais’s reputation to the growth of interest in women Pre-Raphaelite artists, the landscape has changed considerably since the society’s founding.
We are celebrating the founding of the society, and indeed the founding of the Pre-Raphaelite Brotherhood, on Sunday 8th September with #PRBDay on Twitter. Please come and vote for your favourite Pre-Raph painting, by tweeting it to us @PreRaphSoc. I will be counting votes and posting Pre-Raph quotes and links all day, and look forward to meeting some of you virtually then. Last year’s winner was Millais’s Ophelia (top image), and I’m looking forward to finding out which painting will win this year.
If you are not a member of the society but are interested in Pre-Raphaelite art, please do think about joining us. You can join online here, and membership is a very reasonable £14, or £10 concessions. Benefits of membership include:
- Receipt of The Review the Society’s principal publication, published three times a year and dated Spring, Summer and Autumn. The Review contains articles, book reviews, illustrations and “Notes and Queries”, and offers the opportunity for all members who are interested in research and writing to contribute in a very satisfying way to the Society’s life.
- Receipt of PRS US: The Pre-Raphaelite Society Newsletter of the United States. Published three times a year, this illustrated bulletin of American news and activities includes such features as “Pre-Raphaelites Online”, “Events” and “The American Collections”, in addition to short historical articles.
- Receipt of notices of all meetings and visits; and also, of occasional newsletters.
- Free admission to the Annual General Meeting, which is held in Birmingham on a Saturday morning in late October and which includes a lecture following the business session.
- The opportunity, for modest charges, to attend other lectures and to join coach trips to galleries, museums and places of interest around the country. (Members can, of course, make their own travel arrangements and meet coach parties at particular destinations.)
Also, we are very nice, friendly people who look forward to welcoming you to the Pre-Raphaelite Society!
Reblogged this on The Victorian Librarian and commented:
I’m just back from the wonderful CILIP Rare Books and Special Collections annual conference at Canterbury Cathedral, and, while I have so much to write about, I’m in Conference Recovery Time. So today’s Victorian Vendredi is a bit of a cheat – a reblog of Culture and Anarchy’s great post celebrating the 25th anniversary of the Pre-Raphaelite Society.
Why do you think it took so long before the Pre-Raphaelite Society was formed? I am assuming that it takes a number of generations before ANY particular art school is re-evaluated and re-loved, including the Pre-Raphaelites. I note your mention the growth of interest in women Pre-Raphaelite artists, something that may not have happened until relatively modern times.
Yes, I think it took time because they were seen as Victorian gloom and sentiment for so long – in the 30s and 40s you could pick up a Rossetti for a song! The major re-evaluation didn’t happen until the early nineties, I’d say, with interest in the women artists growing still now. I think there was a Rossetti society once, but it clearly didn’t last.
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Hello, I originate from Birmingham but now live in Crete. I have been a fan of the Pre Raphaelite’s for a very long time as was my son who attended the Wolverhampton Poly Technical School studying art.. I wondered if I could join the Pre Raphaelite Society on line. Please advise.
Hello Rita, yes, you can join online here: http://www.pre-raphaelitesociety.org/membership/index.htm. We’d love to have you in the society! Serena